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Age Appropriate Wear
Height: 4, Width: 19, Depth: 10
Late 19th to Early 20th Century
Chinese export circa 19th century pair of sculptural monkeys, each in pewter on wood stands.
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Sculpture of the Laughing Buddha Ho Tai carved in wood.
A Japanese sculpted Noh Theater wooden mask depicting Saru the monkey.
Terracotta female Haniwa head produced during the Kofun or Tumulus period in 3rd to 4th century Japan.
Buddhist monk sculpture from Myanmar (previously Burma). Crafted from carved giltwood.
Square Japanese Sake Bottle finely detailed with a hand painted Fish.
Pair of antique sculptural earthenware ducks, of Asian origin, each polychrome glazed.
Bronze Antique Burmese (Myanamar) Sculpture of Bell Ringers. Good vintage condition with age appropriate patina
A pair of Japanese carved wooden temple figures in the form of lions seated in traditional pose. The pieces have had some conservation and restoration to stabilize them.
A Japanese carved and gilt wood Buddha figure Amida Nyorai (Buddha Amitabha), 15th C. Sengoku Cypress wood with traces of pigment and lacquer gold leaf. Standing on a lotus and a gold lacquer Zishi . This important masterpiece is exquisitely caved. From the draping of the robes and the beautiful face and head. This important museum quality is a very rare find. This statue of Amida (Sanskrit Amitabha Buddha), the Buddha of the Western Paradise, performs the gesture of teaching (vitarka mudra) with both hands. In East Asia, these gestures signify Amida's welcoming descent from heaven(raigo) to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 12th century and were placed near the deathbed of a devotee so that he or she could see it. The statue has age appropriate wear. There are small chips to the robe's surface and the figure is missing its pinky and index finger.
Sukhothai style Buddha head in bronze from Thailand.
A skillfully carved sculpture of scholars traveling through a mountain, rendered in white jadeite on a wood base.
Japanese Meiji period geisha figure in clay, crafted late 19th – early 20th century.
A rare huge clay Lucky Cat, produced in Japan during the Edo Period (1603-1868) - Ca. 1820.
A Japanese sculpted wood theater mask depicting Okamo, the goddess of happiness.
Japanese Meiji period lacquered sculpted wood Buddha figure seated on an elaborately carved lotus throne with a mandorla in the back.
Tibetan or Indian Hindu gilt brass figure of a standing Bhumi Devi on a throne, her proper left hand holding Utmala, the night lotus, her right hand in abhaya mudra.
A Chinese sculpture in bronzed brass, depicting the deity Shou, god of longevity.
Early 20th century Chinese model of a battleship in mixed-metals, on a carved wood stand.
A pair of vintage Chinese horse-form incense holders in brightly colored cloisonne.
Japanese Edo period pair of dolls, Emperor and Empress in the Hina Kokin-bina manner.
A vintage jade sculpture from China depicting a horse in mid stride.
A 19th century Thai bronze of a sitting Buddha in dark bronze patina with gold filled casting flaws. Khmer influenced style. Polychrome and gold over all areas.
Edo Period, Ca. 1700 Likely a gift from an upper class family to a shrine. Images and depictions of the horse were higly prized in Japanese culture.
A large Chinese bronze figure of a sitting Quan Ying in multicolored cloisonne enamel. Chinese mark on the back.
A Japanese Noh theatre sculpted wood mask of Ko-Omote, a young girl.
An extremely rare Japanese Edo period Kyogen mask of a Nio guardian king
A beautifully intricate carving rendered in white jade, depicting a mountain with sixteen ‘Budai’ (laughing Buddha) figures, among flora and fauna.
A Japanese decorative porcelain elephant with red and blue vegetal motif blanket detail.
Pair of Japanese Edo period 'Musha Ningyo' or 'Warrior Dolls' of a samurai with an attendant.
An antique Japanese comic demon mask, Edo Period (1603 - 1868) c. 19th Century. This rare Buaku Kyogen mask was used in short, humorous skits within the Noh Dramas.
A pair of ancient Chinese sculptures dating to the Tang Dynasty, depicting grave-quelling earth spirits known as ‘zhenmushou’. Made of unglazed pottery.
Chinese Tang-manner horse sculpture in Sancai-glazed pottery, with left front leg raised.
Japanese Meiji period pair of gamecocks, early 1900s, in bronze with silver gilt finish.
A pair of 19th century Chinese bronze cloisonne enamel elephant incense burners.
An intricately carved Chinese white jade sculpture of Shou surrounded by children.
Geometric style modern faceted art glass sculpture or vase, created by New-York based artist John Torreano (b. 1941) in the late 20th century.
Mazzega chandelier with Murano Glass sunburst sputnik design dating from 1950s Italy.
Fontana Arte Italian modernist table lamps in heavy aquamarine partially mirrored glass and metal, attributed to Italian designer Pietro Chiesa.
Adrian Pearsall Mid-Century Modern high back wing chair made for Craft Associates in the 1960's.
A pair of modernist Art Deco 'Woofle Bird' table lamps designed in 1929.
French Louis XV period Kingwood veneer commode with ornate ormolu detailing, stamped with the obliterated signature of Joseph Schmitz and the mark of the Jurande.
American Gilded Age pair of Tiffany urns made in heavy cast gilt bronze.
Fornasetti 'Capitello Ionico' lacquered wooden chair in black with enameled metal legs and a lithographically applied graphic of the upper section of a classical Ionic order column on its back.
An antique Louis XIV style console table in untreated wood.
Seguso table lamp in cobalt blue Murano glass from the 1950s.
American Brutalist sculpted bronze coffee or cocktail table created by Paul Evans Studio, initialed and dated 70 on the base.
Memphis Group Postmodern ceramic hand-painted pedestal or side table with colorful geometric theme dating from the 1990s.
Italian neo-classical carved olive wood sculpture depicting the head of Paris, made around 1810, after Italian artist Antonio Canova.
Isaac Kahn geometric totem in brushed metal over composite on painted base. The sculpture is marked "Kahn 79" near the bottom.
An abstract painting by mid-century artist John Seery, “Drawl”; acrylic on canvas,1975, signed on back.
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